In January of 2009, Josh Dobkin and his writing partner Sean Wathen sold their spec script The Field to Stone Village Pictures. I interviewed him briefly in 2010. Here is some of his advice for an aspiring screenwriter.
What advice would you give an aspiring screenwriter that’s looking to get a job in the industry?
If you want to be next to writers, you need to be close to producers. And that means either being a PA on a production, or finding work at a production company… which I HIGHLY RECOMMEND! You want to be close to the gate keepers, because as a writer, that is KEY! Being where scripts are granted life, or executed to a slow miserable death, is where you want to be.
So, my first word of advice would be: go get a job or internship, at either a production company or management company… agency maybe, but unless you want to be a suit, pass on getting abused by the future “Ari Golds” of America.
And that of course, means moving to LA. So that is actually my first word of advice. But do it with a game plan. Save up some cash, visit, network online, all that jazz… and thennnnnn… make the move out here.
It will be several months before you land a paying gig in the industry, and this place is expensive to live. So come out strapped with a couple thousand in the bankroll, and hit this town like a freaking maniac!
It will be hard, and will test your will to continue a path in the entertainment industry. If you can keep chugging ahead without having your hopes and dreams crushed, you’ll land a paying gig.
What is your writing process like? Do you outline?
My writing parter and I outline a pretty detailed path before we start on the script. Some people do 60-90 page treatment… fuck that. Just write a script if you’re that thought out already. Put your beats down, what needs to happen, and who it needs to happen to, and go from there.
If you’re too detailed going in, I think the words seem stale. Probably because the writer has been writing the same shit in outline form, for 6 months. It feels good to feel the flow and unpredictable nature of a writer’s voice.
So I’ve written my spec. Now what?
I wish I had a magic answer to selling a script, but I sure as shit don’t. And no one does. Anyone that tells you otherwise is a fucking liar, or a thief, because more than likely, it’s one of those jerk-offs teaching a seminar for $200 that hasn’t sold shit!
WRITE YOUR ASS OFF! Thats the key to selling a script. You might hit a home run on your first bat… unlikely, but it happens. When you finally close the page on a script that you 100% think is rockstar solid, set it aside for at least 6 months, and write something else. And while your waiting for 6 months, start reading scripts of sold material…
NOW, come back to that script 6 months later, and tell me how good it is. If its still a rockstar, go solicit a manager/agent, and sell that fucker – ’cause you got a gem!
What is the most common mistake you see aspiring screenwriters make?
The most common mistake writers make is they don’t write, and when they do, it’s shit… and they think its GREAT. I’ll even admit to that fault. I just went back and read my first draft of The Field… and it BLOWS!
Any last advice?
It’s outlast and outshine out here. If you really want it bad enough, put the time in and don’t cave under the harsh environment like everyone else, you’ll rise above the muck. If you’re writing is solid enough, you’ll succeed.
So there you have it! Advice from a selling screenwriter. Take it to heart, and keep writing! You can find a more in-depth interview with Josh over at Done Deal Pro.