Basically, if your life’s dream is to become a giant Hollywood screenwriter, then you need to live in Hollywood. – John August
If you want to be next to writers, you need to be close to producers. And that means either being a PA on a production, or finding work at a production company… which I HIGHLY RECOMMEND! – Joshua Dobkin
What the fuck are you trying to do in Atlanta? COME OUT HERE! – My friend in L.A.
I had a plan. I was going to work in Atlanta for a few years, write some specs, and save money. Then I was going to make the jump to L.A. with a couple of scripts under my belt and work my ass off. My plan for Atlanta isn’t working for a multitude of reasons, and after some recent advice from a friend working in L.A. — I’m jumping in and taking the risk!
I will be packing my ’94 Honda Accord (that just hit 200,000 miles yesterday!) with everything I need to live and drive from Tennessee to Los Angeles, California in the next week/week and a half. I will sleep on couches (or in my car if I have to) and take every job I can get. I need work; I crave work. Anything even related to film will do. I have 5 different resumes made up, enough money to get out there, and a TomTom GPS.
Speaking of work. If any of my readers could put my sweat and tears to good use in L.A. shoot me an email. Preferably with a production company doing something in development, screenwriter’s assistant, or a writer’s P.A. But like I said, I’ll be Kevin Smith’s oil boy if It will get me in the door.
Honestly, I wish I would have done this months ago. I only have a couple of months before my massive student loans start coming in. On THAT note, don’t go to film school on student loans… bad… bad……very bad idea. Can’t change the past so I must look towards the future.
So… if chapter one of this blog was film school, chapter two will be moving to L.A. and working my ass off trying to get someone to let me work my ass off.
So let the madness begin. What do you think about moving to LA? Bad idea or a fucking awesome idea?