Tag Archives: On Set

What Kind of Jobs Do You Get From Being a PA?

I know I’ve been neglecting this blog. My most humble apologies. Things have been crazy. Trying to find work. Moving into a new apartment. Trying to pay my bills. Surviving my crazy move to LA. I’ve been here for a little over 4 months now and I am slowly settling in. It’s been an adventure so far, and I promise I’ll continue my life updates shortly! But for now here is my once a month post… ūüôĀ

A reader has a question.

Reader Question:

Hey, I’m a senior year in college pursuing a degree in Communications with an emphasis in Entertainment Studies. As of now I have yet to decide which area of the Film Industry I’d like to work in and in research came across your blog & had a few questions if you don’t mind. First, I have many interests in the field & have been trying to find one to focus my efforts into. My front runner right now is Casting & I was wondering if you knew anything about how Casting is ran or any tips on getting into that area? My other question is about P.A.’s, & what are the different career paths they lead to? Also, how long do most people work as a P.A. before moving on to something else? Would you recommend working as a P.A.?
Thanks for your time!

 

-Keri

Thanks for the question Keri!

I honestly don’t know much about the casting department. As I said in my last article on PA’s, you can be a Set PA, and Art PA, an Office PA, a Writer’s PA, and yes, even a Casting PA. ¬†Just about every department can have a PA depending on how big the show is. If you want to get into casting I suggest learning as much about it as possible, and trying really hard to get in contact with a Casting Director or Agency and ask about becoming an assistant in that department. Again, it’s all about who you know. Make some contacts in that department and let everyone know what job you want, and eventually someone will (hopefully) hire you. You have to be proactive.

What kind of Career path’s do PA’s go into? It all depends on what department you WANT to go into. If you want to be an AD (assistant director) you can work your ass off as a Set PA and learn as much as possible about being an AD. Eventually you can start getting jobs as a non-union 2nd 2nd AD, then a 2nd AD, then a 1st AD. Once you have enough days on set you can get into the DGA and make the big bucks.

Basically, a PA doesn’t get you any job. Being a PA just helps you learn about the industry by working IN it. It’s an entry-level position. What you do WHILE working as a PA is what counts. You want to work in the Art Department and become Props or a Set Dresser? Meet the art department on set as a PA and let them know. Then work your ass off and stay in contact with them. Maybe they’ll call you to be an Art PA. Then eventually you can start doing Set Dressing with them once you’ve learned enough about the Art Department by being a PA.

You want to be a Grip? While working as a PA talk to the grip guys and let them know. You want to work in Camera? Meet camera people. A PA only becomes what they want to become, and what they work hard to become. It’s not a position that naturally gets promoted into another position.

How long does someone stay as a PA? That also depends on the person. There are PA’s out there who are PA’s FOREVER. You only get promoted when you actively try to learn other departments and move into another position. I’ve been working as a PA for 4 months and every time I’m on set I let the 2nd AD know that I’ve run talent before and worked as a 2nd 2nd before, so they give me more responsibility. I’ve already done a non-union commercial out here as a 2nd AD. But if I want to join the DGA, I could be working as a PA or Non-Union AD for years before that happens.

The short answer. While working as a PA find what department you want to work in and let everyone know. Meet and stay in contact with as many people in that department until they give you a job.

Would I recommend working as a PA? Only if you’re serious about working in the Industry. Being a PA honestly sucks ass. It’s not a fun job. You’re on set before everyone else, and you’re the last to leave. You’re the last to eat lunch. You’re usually working non stop for 12-16 hours. If you sit down you get yelled at. Don’t dare use your phone while working. You are a machine that does what you’re told without question. The only reason I’m doing this is because I love the field I’m working in, and I have a strong desire to move up. Nobody likes being a PA, but it’s necessary to get where you want to go.

Now I have to go to bed because I have another 12 hour day tomorrow.

Until next time…

Life Update: Befriend the Bitches

After not having work for 4 weeks, and then getting a brutal job and spending a week in severe pain, and then working a commercial shoot were I experienced some bitching, I got offered a crazy job that lasted me a week and a half. It was hell, and irritating, and awesome all at the same time.

Something happened on that shoot, that I’ve noticed on other shoots since then. When some people are under extreme amounts of stress, they can be highly volatile and hard to be around. In fact, one may say that they become downright horrible to be around. When encountering these unfavorable people, it is man’s first instinct to react to unfriendly/bitchy behavior with equal or greater unfriendly/bitchy behavior. I suggest a new approach. Be friendly/stay out of their way.

When you’re a friend to the unfriendly, you could soon become “the only person that bitch likes”. People will warm up to you eventually — in most cases. Also, as I have experienced, when you meet them in a less stressful situation, E.g. The Wrap Party, they can be quite pleasant and surprisingly fun to be around.

In a nutshell, Don’t judge a book by its — 6am “I haven’t had my coffee we have to shoot way more coverage than we have daylight and my in-laws are staying at my house” — cover.

Also. Happy 4th of motherfucking July! Meat, Beer, and Fireworks. America!

Life Update: Keep in Shape

A little while back I wrote an article on not having work for 4 weeks. I was going crazy. I sent out a shit ton of emails letting people know I was available. Nothing was coming up… until. BAM! I got a job. It was a one day gig. If I only knew what I had just booked…

Arrived on set at 10am. On a beach. “Alright” I said, “This could be interesting”. Interesting indeed. I worked my ass off harder than I’ve ever worked in my entire life. It was fucking brutal. I got in my car to drive home at 6am. That’s right. 10am-6am with two 30 min meal breaks. 20 hours on set. Welcome to Hollywood.

The worst part was that I had just gone 4 weeks doing absolutely nothing. Sitting in my computer chair working on websites, writing, and playing video games. That’s like, 4 weeks of atrophy, to running on the beach for 20 hours. I really hurt myself. Bad idea. When I got out of the car after driving home I literally couldn’t walk without locking my knees. Climbing up stairs wasn’t accomplished without searing pain. The next week was spent sleeping for 12 hours a day and overloading on pain killers. It was bad. To this day, 7 weeks later, my knees are still a little fucked. After a long day on set I can really start to feel the pain again.

So my first bit of advice. Keep in shape. I don’t care what you have to do. Go for walks, go jogging once or twice a week. Just keep your legs in good shape so you don’t do something stupid like I did. Now I’m just hoping I don’t have chronic knee pain for the rest of my life.

Tips for a Production Assistant: Set Lingo

Walk onto a film set for the first time and you will quickly realize there is an entirely different language you must learn, in order to communicate effectively with those around you. Here is a list of general set lingo. Be sure to check out Walkie Lingo as well.

Above-the-Line: Producers, Directors, Actors, Screenwriters and all the people who have “creative” input.

A.D.: Short for Assistant Director. If you’re a set P.A., he or she will probably be your boss. For more info go here.

Apple Box: A wooden box used for many different things.  Sizes include;  full apple, half apple, quarter apple, and pancake.

Base Camp: Sometimes located away from set. This is where the trailers, parking, and meals are usually located.

Below the Line: Everyone not “Above-the-Line”. ¬†This is the crew and makes up most of the production. ¬†(Interesting Note: I think the budget for “Below-the-Line” and “Above-the-Line” usually evens out to about the same. Which is depressing).

Bogies: Unwanted people in the shot, usually pedestrians, are called “Bogies”.

C-47 or Bullet: A wooden clothes pin.

Camera Op or C.O.: Short for Camera Operator – For more info go here.

Crafty: Nickname for the craft services table.  This is where all the snacks and drinks are.

Crossing: It’s polite to say this to the Camera Op if you’re crossing his frame.

Cube Trucks: Large white trucks with lifts that look like cubes. Each department usually has their own. E.g. The Production Cube.

Day for Night: When planning on shooting a night scene, during the day on stage.

D.P.: Short for Director of Photography or√ā¬†Cinematographer. ¬†For more info go here.

Honeywagon: Portable trailer with bathrooms and dressing rooms.

Hot Points: If someone yells this, move out of their way. They are probably carrying something pointy and/or sharp.

Genny: Short for the generator which supplies power.  Usually on a truck.

Lanyard: The thing around your neck that says you’re part of the production, and have permission to be on set.

Last Looks: Usually yelled by the A.D. to Hair, Make-up, and Wardrobe to hurry the eff up with the talent.  Shooting NOW!

Layout Board: Large strips of cardboard or other type board used to protect floors on location.  Sometimes people use carpeted mats as well.

Locations: Short for Locations Managers. See more here.

Lockdown: Term for standing around making sure people don’t walk onto set during takes

Abby Singer:¬†Aka “The Abby” — Term from the second to last shot of the day.

Martini Shot: Aka “Martini” – Term for the last shot of the day.

Pass Van: Short for Passenger Van.  These vans drive people where they need to go.

Pictures Up: A warning that they’re ready, and the camera is about to start rolling.

Pop-Up: Short for the Pop-Up tents all around set.  Usually, each department will have one to shade people and equipment.

Production or the P.O.: Short for the Production Office. This is where you will find the Production Manager and the Coordinators for various departments…usually. ¬†Also where you fill out paperwork and time cards… etc.

Props: Any item on set that is touched by an actor, in accordance with what is written in the script.  Otherwise it is a set decoration.

Rolling: When footage is actually being shot.

Settle in: See “Pictures Up.”

Show: Whether it be TV or a Feature, everything is called a “Show”.

Talent: Actors, Models, Musicians — People being filmed on camera.

Transpo: Short for transportation.  These are the guys who drive everything.

Travelling: If someone is outside of the location, or walking to set, they are “traveling”.

Video Village: A camp of monitors and chairs.  This is where the video feed from the camera goes so that producers, directors, and other above-the-line people can watch what is being shot.

Hot Brick:Term used for a charged walkie battery.

Cold Brick:Term used for a dead/dying walkie battery.

I will update this list periodically. Feel free to comment and add more lingo!  I will put it up on the list.

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