Work on Christopher Stone has stalled out for the moment. I just recently got a writing partner, and rather than continue working on Christopher Stone by myself, I am now working a new untitled thriller with my new untitled writing partner.
Working with a writing partner is SO MUCH EASIER than working by yourself. Just being able to collaborate and shoot ideas off each other helps the creative process explode. In a good way. We’ve only had two meetings so far…and we’ve already beat out most of the script. We should be able to start writing here soon. I’m pretty excited about this script. I think it’s going to be a fun one.
In other news I just got my Starcraft 2 Beta key! I’ve been raping noobs in the ass with some Void Ray rush cheese. 10min games. Currently trying to develop my Protoss skills and actually learn how to play.
So basically Starcraft 2 and this new script are all I’ve been doing recently. If I don’t start work on this doc in the next couple of days I give you permission to slit my throat.
My current project is a post-apocalyptic adventure/zombie road movie . I just finished breaking story and have started writing.
I’m on page 10. I believe something important is supposed to happen on page 10. I believe it’s called the 10 page twist. Do I have a 10 page twist? I do. But at the moment it doesn’t hit page 10. Am I supposed to write the whole screenplay first, and then come back and rewrite to hit my marks? I’m not sure at the moment. Although I do believe something important should happen to grab your readers attention on page 10.
A fact of life: People do not have a high attention span. If you cannot hook your audience into the story in 10 pages, my screenwriting teacher says you’re fucked. I believe him.
Another fact: The 10 page twist does not have to be a twist necessarily.
It has to be something that catches the readers attention and makes them say, “I want to know what happens!.” This is especially true if your screenplay magically falls into the hands of a producer/script reader. These people read so many damn scripts a week, they’re just looking for a reason not to read your script. DO NOT GIVE IT TO THEM! When they get to page 10, they’ll know if they want to continue reading. Give them something that makes them want to turn to page 11.
That’s where I am at, and that is what I’m trying to do.